Rawme Hooda – Total Lyrics English (with Translation)

(Verse 1)
I take what’s mine, then let it go—I hold no greed for anything.
Roll up your useless advice, man, I have no need for it.
What kind of friend feels no pain when his brother’s in misery?
You search for flaws, but there’s no impurity in my being.
Besides my pen, I place my hope in no one else.
Where hearts connect, I write my songs—I charge no fee.
A Jat’s head that bows to everyone is no Jat’s head at all.
I’m wounded deep, no medicine or prayer can bring relief.
The pain is real, but death’s door isn’t near me yet.
Hearing gossip here and snitching there—that’s not the way.
You ask for a ride? Get lost, there’s no seat here.
Your petty actions are why we don’t even greet.
This is Haryana, we have no tradition for thugs here.
You’ll find brothers at the pond, with no beef between them.
My diary says there’s not a single page to waste.
In my joint family, there’s no division today.
Until the Master is pleased, Romy Hooda hasn’t won.
People fire at every step, not your commercial tracks.
My mirror says no one’s as stubborn as you are.
I’ll sing it straight, no need for a reminder.
My lakes and oceans are deep, but your ears are shallow.
There’s chaos in my room—this riot isn’t clean or neat.
I want to hear beats at night, but I’ve got no power cord.
I’m the God of Haryana, I’ll never hit my peak.
She’s happy on a Splendor bike; I don’t have a Jeep.

(Chorus)
I only write what I deal with.
I only write what I truly feel.
I go green, I go green when I’m healing.
I only write what I go through.
I only write what I feel deep down.

(Verse 2)
Nobody here wants two houses without a roof.
You ask if I need a promoter to be a star alone?
A one-room house, but the boy wants a machine.
Skip the advance, I want the total payment.
I just want moments to sit with myself, where I’m lost in thought.
Jackal’s gonna call—they want Hooda’s vocals.
Things are messed up now, I need a waffle.
You ask about dreams? I want a Nobel Prize.
I want Haryana to go global, we don’t need a model.
I’m getting tired, feels like I need a hotel.
I want a bottle, I want a servant, I want a chopper.
My songs are being stolen, I need a locker.
Why should I beg? I don’t need voters.
Let the donkey carry the load, we don’t need a porter.
My friends just need two wings to fly.
I’m getting too serious, I need a joker.
Anyone can meet me, no token’s required.
I’ve got a sexy jacket, but I need some pants.
I’m spitting blood in public, I need some cotton.
I listen to my own tracks when I need a rush.
Just dial my number if you want a real hip-hopper.
I strike when I’m thirsty, I want time’s water-pots.
I want that skull sitting in the Mutter Museum.
My first child’s Shambhu Nath, now I want a daughter.
The Rohtak bus is here, but I need the local ride.
I need proper sleep. I want that purple vibe, every moment.
I need a little hustle.
My girlfriend’s dad wants a topper.
I grind and drink my way, but they want someone sober.
My words are high-voltage, I need copper to ground them.
Uncle won’t stop for anyone now—he needs a stopper.

(Chorus)
I only write what I deal with.
I only write what I truly feel.
I go green, I go green when I’m healing.
I only write what I go through.
I only write what I feel deep down.

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Lyrics Meaning

This song is a raw and defiant manifesto from Rawme Hooda, centered on authenticity, self-reliance, and cultural identity. The central theme is the power of his pen—his primary tool for expression and his only trusted ally in a world of fakes and opportunists.

Key Themes:

• Authenticity Over Everything: Hooda rejects hollow advice, fake friendships (“What kind of friend feels no pain when his brother’s in misery?”), and commercialized music (“People fire at every step, not your commercial tracks”). He vows to write only what he personally experiences and feels (“I only write what I deal with”).

• Unbowed Pride & Identity: He flips a stereotype, declaring that a true Jat (a community from North India known for pride and resilience) never bows his head. He asserts his Haryanvi identity as one of brotherhood and integrity, distancing it from thuggery.

• The Grind and Ambition: The lyrics paint a picture of his struggle—creative chaos (“There’s chaos in my room”), technical limitations (“I’ve got no power cord”), and humble means (“She’s happy on a Splendor bike; I don’t have a Jeep”). Yet, his ambitions are vast: a Nobel Prize, taking Haryana global, and achieving timelessness (“I want time’s water-pots”).

• Defiance & Independence: He refuses to beg for votes, rides, or validation. The long list of “wants” in Verse 2 is less about materialism and more about asserting his desires and needs on his own terms, from the mundane (“some pants”) to the profound (“two wings to fly”).

• Inner Conflict & Healing: Amidst the bravado, there’s admission of deep pain (“I’m wounded deep”), exhaustion (“I’m getting tired”), and a search for balance (“I go green when I’m healing”). The “purple vibe” and need for a “joker” hint at a desire for peace and lightness amidst the struggle.

Cultural Context:
References like the Splendor bike (a common, humble motorcycle in India) vs. a Jeep symbolize real, grounded success versus flashy, empty status. Haryana is his home state, whose culture and pride he fiercely represents. The line about the Mutter Museum skull is a vivid, metaphorical claim to a unique and enduring legacy.

In essence, “Total” is the audio diary of an artist building his world from the ground up, using truth as his only currency and his roots as his unshakeable foundation.